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 As a magical tool, the athame was foreign to me. To me, it seemed to be just a fancy knife. The first time I saw one in use was a Wiccan casting a circle for ritual, and then cutting an imaginary door to let people exit. Magical circles, let alone casting them, was something I was not interested in.
 
The other introduction to the athame that I had was the Great Rite. I learned that this was the joining of the Male God with the Female Goddess. To symbolize the act, the athame (Male) is put into the chalice (Female). Since I am not Wiccan, that use of an athame was also foreign to me.
 
Reading the writings of Heron Michelle and Jason Mankey, noted practitioners of Wicca, helped me to understand the athame as a magical tool. Writing in “Elemental Witchcraft,” Michelle asserts that the athame, a knife born of fire, which has burned away its impurities, has the fire’s “projective power of the will.” Infused with “the fires of will,” the athame can now establish boundaries and defend sovereignty. Using the projective power of the athame, a Wiccan can banish “fear with humility.”
 
Mankey in “The Witch’s Athame,” stressed that the Great Rite could be thought of as two opposing but complementary elements joining together to create. Since the athame is Fire and the chalice, Water, their union creates Steam, a new element. Therefore, the Great Rite celebrates “the magick of joining:” two forces uniting to form a new life.
 
Athames (Note 1) have been described in various grimoires as “magical knives.” The “Key of Solomon” described a double-bladed knife with a black handle. (Note 2) It could be used to cast circles and banish unwanted entities. An athame could also cut ties.
 
Pondering the athame, I realized that it cuts away what is still useful from what is decayed. Like a scalpel cutting out a tumor, the athame cuts out unwanted material. What is left can be then used in our magic as a support. Moreover, this tool burns out the stagnant debris of our workings.
 
In researching various consecration rituals for the athame, I found that Mars, the Roman God of War, could be associated with the tool. Various rituals referred to the athame as “Blade of Mars” and “Shield of Mars.” Oberon Zell-Ravenheart in “Grimoire for the Apprentice Wizard” advises using Martial herbs when consecrating the athame. He also says to do it on Tuesday, a day of Mars. After meditating, I realized that Mars, at least, should govern my choice of an athame.
 
When I decided to ask Mars to help select the athame, Minerva, the Roman Goddess of Statesmanship, decided to be included. The two Gods said that They would share in blessing of the athame. This is reminiscent of what Mankey referred to as the two powers of creation – the active and receptive. Minerva, as the Goddess of Sovereignty and Mars, the Defender of the Fields, defend the boundaries of the State (Rome). For an athame, I chose a wooden one, which was crafted in one piece. Made of walnut, it was stained red.
 
In consecrating her altar tools, Michelle writes, “I infuse this athame with fire’s projective powers of the will.” She asks that it “banish fear with humility.” Inspired by that, I purified mine by passing it through candle flames. Then I put it on the altar between my statues of Minerva and Mars. I asked Them to bless it and to protect me. Afterwards, I placed it on my Ancestor altar for Them to watch over it.
 
Notes:
 
Note 1. The term “athame” was created by Gerald Gardner, considered to be the Modern Father of Witchcraft. He used it in a novel, “High Magic’s Aid,” in 1949.
 
Note 2. In “The Witch’s Athame,” Mankey notes that an athame needs to have a double blade since the energy has to flow evenly.
 
Works Used:
 
Adkins Lesley and Roy Adkins, “Dictionary of Roman Religion.” New York: Oxford University Press. 1996.
Greer, John Michael, “The New Encyclopedia of the Occult.” Woodbury (MN): Llewellyn. 2003.
Lazic, Tiffany, “The Great Work.” Woodbury (MN): Llewellyn. 2015.
Mankey, Jason and Laura Tempest Zakroff, “The Witch’s Altar.” Woodbury (MN): Llewellyn. 2021.
Michelle, Heron, “Elemental Witchcraft.” Woodbury (MN): Llewellyn. 2021.
Zell-Ravenheart, Oberon, “Grimoire for the Apprentice Wizard.” Franklin Lakes (NJ): New Page Books. 2004.
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Since I am a Roman Polytheist, I usually do not use magic in my practice. However, in reading about wands, I realized that I do use a wand. When I do Roman divination, I use a lituus to mark out a templum to take auspices. The lituus is a curved wand with the top shaped as a question mark. Pointing to the sky or an area of land, I set up a square which I quarter, and then quarter again. This is the templum, which could be thought of as sacred space. I ask my question and note the signs occurring within the templum. I interpret the bird signs to discover what the Gods’ answers are to my questions.
 
In “The Witch’s Wand,” Alferian Gwydion MacLir wrote, “You aren’t begging for divine intervention, you are casting your will upon the cosmos as a person of power and confidence. That is what the wand signifies.” (Note 1.) In using my lituus, I am doing precisely that since I want an answer to my question. I am not foretelling the future but want to find out if I have divine approval for something.
 
In magic, wizards use wands to cast circles and direct magical energy. Wands are also used for channeling magical energy. With a wand, a wizard can write out their intention in the air. Oberon Zell-Ravenheart in “The Grimoire for the Apprentice Wizard,” sums up what the wand means to a wizard. “In ritual, the wand strives to unite our body, mind, and soul with that of universal consciousness to bring into manifestation our magickal desires.” (Note 2.) I interpret that to mean that the wand unites the wizard with the Cosmos.
 
I pondered how I could make a wand since I am limited by my brain injury. Christopher Penczak, a noted wizard, inspired me in his observations about wands. He wrote that wands can be disguised as everyday tools. “I’ve known witches who use their wooden kitchen spoon and mechanics who use their screwdrivers.” (Note 3.) The important point is to be united with the tool so that it becomes a part of you.
 
For a wand, I chose the yellow No.2 pencil. (Note 4.) I use one daily to write in longhand for my exercises to promote brain health. Since for many cultures, words are magic, I regard my pencil to be a magical tool. Dr. Bernard Beitman writes in “Meaningful Coincidences, “words are created to carve out portions of reality that deserve our attention.” (Note 5.) With cursive, I can create and direct my will. (Note 6.) The flow of writing the words out by longhand channels the will of the writer, thereby creating magical intent. Cursive translates my will physically on to the paper much like a wizard writing with a wand in the air.
 
I have always been particular about my pencils. I routinely dedicate them to the Gods to aid in my writing. After placing them on my lararium (Roman altar), I ask Mercury the God of Communication to bless them and my words. For writing poetry, I ask Apollo, the God of the Bards. I dedicate those pencils to the act of creating beauty and truth.
 
For me, the pencil would be appropriate for a wand. It is made from wood, which is a traditional material for wands. Moreover, the yellow color represents the mind. The eraser, which is the pommel, balances the yellow and also represents intuition.
 
Notes:
Note 1. Alferian Gwydion MacLir, “The Witch’s Wand,” P. 170.
Note 2. Oberon Zell-Ravenheart, “Grimoire for the Apprentice Wizard,” P. 104.
Note 3. Penczak quoted by MacLir, P. 26.
Note 4. No. 2 lead is neither too hard nor too soft for regular use.
Note 5. Dr. Bernard Beitman, “Meaningful Coincidences,” P. 10.
Note 6. I write all my essays using cursive in multiple drafts.
 
Works Used.
Adkins Lesley and Roy Adkins, “Dictionary of Roman Religion.” New York: Oxford University Press. 1996.
Beitman, MD.,Bernard, “Meaningful Coincidences.” Rochester (VT): Park Street Press. 2022.
Greer, John Michael, “The New Encyclopedia of the Occult.” Woodbury (MN): Llewellyn. 2003.
MacLir, Alferian Gwydion, “The Witch’s Wand.” Woodbury (MN): Llewellyn. 2021.
Zell-Ravenheart, Oberon, “Grimoire for the Apprentice Wizard.” Franklin Lakes (NJ): New Page Books. 2004.
 

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